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LVMH iconic brands Fendi and Rimowa renovate their partnership, introducing two new versions in blue and red for their one-of-a-kind cabin trolley. Honouring the companies pioneering heritage as well as celebrating the completely new Rimowa visual identity, the very modern suitcase stands out for a sophisticated design and materials.

The airy silhouettes unveil hybrid forms, playing with experimental collars and double sleeves. The collection includes bombers, parkas and anoraks, which are combined with tailored high-waisted double pleat trousers. Perforations, degrade checks and souvenir prints enhance the feel of immateriality. I am presenting shapes that are bold and voluminous, yet very light, in layers of meshes, wools, silks. It is the perfect place to unleash the Zegna crew of individuals who recognize themselves in the XXX logo, which runs from the clothes to the set-up, unifying the message: A true minimalistic, modern store with an urban vibe.

Different from the traditional Camper stores worldwide, the store has a more contemporary, advanced and futuristic feel. Collaborating with different designers such as Eckhaus Latta and Kiko Kostadinov, the shoes are taking bold steps forward in their urban designs, looking glamorous and raw at the same time, while staying true to its underground aesthetic. The renovated space of square meters that hosts the two adjacent boutiques features 5 display windows that introduce to a totally new concept, which was curated by Giorgio Armani and his team of architects. Mirroring the refined sense of distinctive, minimal elegance characteristic of the Maison, the boutiques focus on the extensive use of space.

As well, a light and clean distribution of lights and linear shapes meticulously highlights the balance between rigour and refined luxury. The immediate sensation is that of a quiet intimacy, as if one could slighlty hear the clock tickings spread over a place that has always been there. The new Berluti flagship store in Munich is the second one to be opened in Germany, yet it is the first in Europe to launch a totally new concept for the interiors.

On the one hand, the preference for a square, clean design suggests Berluti affinity with sobriety and composure, which is in turn calibrated with the presence of delicate textures that characterise the stone finished beige walls. As well, the hand-polished bronze shelves and frames, the marble tables, the polished wood cabinet and the herringbone pattern over the matte wooden floor seem to complete each other. More elements, such as a dramatic wall lined with symbolic tincture bottles, a wooden display cabinet and classic club armchair intensify the relaxed atmosphere, gently illuminated by pale lightings that unveil the precious details of Berluti collections.

The new Berluti boutique is the perfect place where contemporary gentlemen can talk about elegance in detail. For Fall , Berluti introduces their new series for bags and shoes. Paying tribute to manuscripts and the calligraphy established by Olga Berluti, the B-way range features seven proposals, this time exposing the nylon traditionally used for the Venezia trolleys.

Featuring a water repellent finish, as well as the patinated Venezia leather and the iconic Scritto motif, Complice cross-body bag, Evasion sporty bag and Volume MM backpack stand out for their urban design and sporty characteritics. With a great focus on versatility, some products feature a double function. For instance, Duo is an extra-large bag in technical fabric, nylon and calf leather, which can be worn as a tote or on the shoulders, while Esprit is a compact ouch thought to be used both as a clutch and bag organizer.

To complete the accessories range, the Croquis toiletry case includes a comfortable internal pocket, while the Fast Track shoes combine the sporty soul of a sneaker with the mountain style of Brunico and Greta Garbo boots. Practical yet extremely devoted to a very classical and clean design, the new collection will be available in Berluti stores from April Berlin 80s underground scene is the leading mood for Clare Weight Keller at Givenchy, whose collection takes inspiration from cult movies such as The Hunger and the documentary B Movie: Lost and Sound in West-Berlin, Several faux furs, leather jackets and psychedelic prints dominate the collection, which unveils asymmetrical cuts and laboured fabrics elaborating an effectively sophisticated youth couture.

As when caterpillar become butterflies, similarly this collection speaks of a powerful metamorphosis. Structured shoulders and bustiers are in balance with more rounded, almost romantic ruffles, as well as subtle silk fringing on a opulent evening dress enhance the idea of a fluid movement and distinctive femininity.

Literally overwhelmed by natural world, Karl Lagerfeld unveils a collection in-between Eighties moods and forest references. On the one hand multicolor or black and white leaves prints, oxidised gold leather details, iconic tweed looks and vintage outlines would suggest a classy yet totally wearable proposal. On the other hand there is an interesting presence of flowing billow-sleeves over ultra lean coats or on elegant evening dresses in lace, which adding romantic feel to the overall collection.

Women and their right are more and more at the centre of social debate. Therefore interpreting femininity is the main theme at Louis Vuitton for Fall On the wave of intelligent feminism, Max Mara centres on how modern women perceive their freedom. If in the 80s structural elements from the male wardrobe would have symbolised the status of achieved empowerment, nowadays the feeling is different.

On the other way around, Sportmax is a layered conjunction of technical materials and urban outlines, determined by bright colored puffers and and down vests. Without abandoning Roberto Cavalli historical trademarks, the collection combines together womenswear and menswear, highlighting opulent looks featuring multicolor animalier prints, leather shirts, aviator jackets, flowing maxi dresses best enhanced by ochre, turquoise and amethyst colors.

The charming women of Versace bring back all the energetic enthusiasm of glamorous eighties. With a powerful visual impact and honouring the brand tradition as well as the mixing of different cultures and subcultures, the proposals feature total looks and bold logos, which are in turn underlined by architectural shoulders, multi-layered kilts in contrasting full yellow and blue, corsets and mini-skirts.

Symmetrical cuts are in total harmony with fluid fabrics in monochromatic hues that softly intensify the feel of a sober elegance over foulard and long dresses. Working on the coexistence of different cultures, Giorgio Armani proposals are quite a number. With a similar approach, Emporio Armani creates a strong alliance between the richness of their bright fabrics and the urban and sporty language of the label.

Hereafter, everything seems a contemporarily wise update, which focuses on forms and proportions. Several shades of green and watery colors set the mood of the collection, revealing long dark coats, fur and structured tailored jackets. With over 64 fashion shows, Milan Fashion Week is likely the most outstanding event of the year. Set in the newly constructed Tower by OMA, everything is intensified by the darkness of the floor, where models wear layered looks, featuring workwear elements combined with organza, tulle and tweed.

Fluorescent digital prints as well as new Prada neon signs illuminate the atmosphere and work as signage over technical materials. With her collection, Miuccia Prada once again use the artistic mean to mark an important statement strongly standing up for women and their freedom. Alessandro Michele loves reinterpreting past cultures. With his new collection set in a claustrophobic operational room, the designer invites us to be overwhelmed by the complexity of the creative process.

With models carrying baby dragons, chameleons and severed heads, Gucci Cyborg is a complex imaginative ensemble of fine materials and vintage quotations. Apparently, truth is out there. An extraterrestrial fantasy leads the mood of Moschino by Jeremy Scott, who gives form to a conspiracy theory according to which Jackie Kennedy was an alien. Therefore, face-painted models with vintage 60's looks in pop neon and pastel tones on skirts, pumps and pillbox hats playfully underlining the bright spirit of the brand. One of the most recognizable aspects of cyber punk aesthetics is the one of imagining hyper technological future landscapes intersecting vintage design features.

Skin and earthy tones in brown and pale olive green determine the romantic outlines of shouldered dresses and pleated skirts. With their collection presented in Milan, in a similar way Fendi re-elaborates different elements from the structured looks from the eighties and the vertical silhouettes of the Forties to underline and re-define a conscious and self-confident femininity.

Remed is the third one being commissioned by Longchamp trough their Artwalk Movement, successfully transforming retail sites into large-scale artworks available for the wide public. Paris is a soft backdrop for Longchamp's Spring campaign, where a happy-go-lucky Freja Beha Erichsen explores the romantic city photographed by Angelo Pennetta. Featuring different pieces from the ready-to-wear collection as the safari jacket coming in a variety of materials, from laser-cut leather to canvas, worn with shorts and fringed skirts.

The campaign foucsus on the iconic Mademoiselle Longchamp hobo bag in perforated calfskin, which this season will be proposed also in a mini size. The second pillar of the range is the structured Madeleine that stands out with an innovative three-tone graphic version. Longchamp introduce its new sunglass collection, including the butterfly model with an oversized frame that softly enhances the alluring mood of the season.

Launching the 20th of February worldwide, a film directed by Ujin Lin will be shared on the website and social media channels. That same day he shocked everyone when arriving with dyed blond hair. At the end of the evening she is having a letter in her hands, a handwritten note to herself. With a soft and emotional voice she reads: Then I open up and see the person falling here is me, a different way to be. I want more, impossible to ignore. A girl and a boy. They have been friends forever.

See the Spring Summer with its references to musician Ryuichi Sakamoto and iconic model Sayoko Yamaguchi, both muses of Takada back in the days. This season, Lim and Leon looked at their own story. As the real-time shooting was ongoing the lineup of models stormed in. The 90s subtly permeated through the entire collection. But also that atmosphere we find in the oeuvre of one of the most acclaimed Hong Kong director: Knitted vests, boxy silhouettes, and a clash of prints with checks and florals.

But also high waist pants paired with lengthened bomber jackets: The use of technical nylon with an iridescent finish together with leopard print faux fur coats delivered still a youthful approach.

For Womens there was a sense of romantic nostalgia, with floral velvet and silk satin cherry blossom dresses, the latter styled with knit twin set. Bustier dresses in heavy denim were matched with t-shirts where accessories reminiscent of a vintage dimension with clasp bags were declined in satin, leather or with crystals beading. There are many tales surrounding the legend of Shuten Doji, one of strongest demons in ancient Japan folklore, who kidnapped young noble women to devour them at night. It is narrated that at the end of the X century the legendary samurai Minamoto no Yorimitsu and his warriors successfully killed the demon on the Mount Ooe in Kyoto prefecture.

The collection seemed a deep thought on our times, on the recurring human cruelty, on the lack of compassion and values. Even the tight seating felt a key element to read the collection. Skirts, tunics, blazers and coats layered to create splendid slouchy ensembles recalling a samurai robe, tightened on the waist by leather belts. In few looks the overcoat was worn on one sleeve underling the flawless fluid tailoring of Yamamoto. The collection continued with knitwear revealing stitching as a gesture of keeping together lacerated flesh during a battle.

Again the poetic of the imperfect, of the ruined. Shades of blue, grey and deep red looks for deconstructed coats.

A photo of Yohji Yamamoto himself was featured on one of them with small glittery blue tear embroidered along one of his eyes. Junya Watanabe has always been researching on workwear for his Menswear collection. This season was the turn of the fireman, the waste collector, the delivery boy, the office worker, the college student, the hiking guide.

Some carrying totes and backpacks that transformed into a jacket, ready for any weather sudden changes. A reflective band run through the entire collection, also adorning the more tailored jackets, sweaters and coats. A hint to our modern times where office hours often extends into late night. As the colour palette was imbued with black, dark blue, grey, orange, red, the materials spaced from technical materials to heavy wool and relaxed knit pieces. Watanabe has been a pioneer in brands collaborations before it became the new cool in the industry.

Asymmetric lines and bohemian allure reveal vented coats cut in wool felt, seersucker corduroy and grid-cotton, sculpted leather blousons and wool satin tunics. By contrast, the modern landscape is enhanced by airbrushed rib jersey and ombre sweatshirts. Sprayed brogues, stretch cuissards and belt pouches are realised in collaboration with Officine Creative and highlights Berghain's spirit to keep late hours.

The collection continues exploring fabrics and patterns, such as vintage florals, silk paisley and carpet knit that drop a hint about the designer travel history across the major fashion capitals in Europe. Parts of the collections are also the straight leg 5-pocket jeans, denim shirts and jackets in an array of pale tones, varying from raw indigo to vintage black. Moreover, exclusive pieces customised with London, Paris, New York, Los Angeles, Hong Kong, and Tokyo initials will be released with the collection and sold in 6 pop up stores around around the globe.

With three windows creating access to Via degli Strozzi and Piazza della Repubblica, Moncler has inaugurated the opening of its new boutique at the very heart of Florence's main shopping area. The space, which dedicates out of square metres to the sales, stands out for the presence of decorative elements that contribute to highlight a pleasant and sophisticated atmospere.

The thrill of the open road and the picture of a man driving through the British landscape in an open-top sports car in racing green were the inspiration for the latest frangrance by dunhill. As dunhill has always been connected with the history of motoring, an engine turn finish was chosen to decorate the bottle, sporting the automotive engineering technique knurling, which creates a textured geometric pattern and was first used on dunhill metal lighters in Considered being effortlessly impeccable in manners and appearance, the ICON Racing man is stylish not fashionable.

This energy and masculine sophistication is distiled in every bottle of ICON Racing featuring Guaiac wood, vetiver and musk as warm base notes. Italian bergamot, grapefruit and cardamom note enhance the scent of black pepper and lavender making it the ideal aroma for men on the move. The collection has strong, bold and dynamic features, which perfectly give every garment a character of its own and so it does for the women who are destined to wear them.

The clear design language exudes Italian spirit, quality and femininity in a straight-forward and sensible way. The traditional Cavalli codes are being transformed highlighting a more urban and cosmopolitan identity of the maison. Concluding that, this collection represents a new concept of contemporary glamour, focusing on advanced interpretations of daywear.

The Parisian concept store colette is offering a unique collaboration with Saint Laurent featuring collectors pieces signed by Anthony Vaccarello. In addition to that, the store presents a unique collaboration between world-renowned artist Nobuyoshi Araki, Saint Laurent and its designer Anthony Vaccarello. The unique series of 16 photographs capture model Anja Rubik and integrates photography and painting techniques. With its probing, challenging images between painting, drawing, photography and installation, the work of American art photographer Roger Ballen is one of a kind.

The term Ballenesque, which is already a firm part of the lexicon, is synonymous with his rich monochrome vision, psychological insights and constant reinvention. These constitute the first display of color images by the artist during his entire career and offer the opportunity to own an original Roger Ballen image in the form of a Polaroid. The exhibition will be open from the 23rd November until the 30th December The Italian fashion house Fendi has joined forces with the iconic luggage brand Rimowa from Germany and created a one-of-a-kind piece.

Rimowa stands for design, durability and craftmanship and is popular amongst fashionable people and those working in the industry. The suitcase is made of aluminium and equipped with a Multiwheel system for smooth and effortless traveling. Featured in the Cuoio Romano leather, the key values and signature design of Rimowa are perfectly coupled with high-quality, unique details and craftmanship such as the sophisticated, emblematic double F logo with a brushed effect on the aluminium, which changes its perception depending on the light.

The black leather handles, along with the web belt, that runs across the case in tones of yellow and a touch of black with the logo, gives the case a characteristic Fendi touch. Available in selected Fendi and Rimowa boutiques and on fendi. A liaison built on respect and trust. Leila, with her fantasy, with her travels, and exotic vision. A so-called carte blanche. During the opening evening of the exhibition at Grand Palais she explained her vision and nature: When asked if the exhibition was maybe driven by a dose of nostalgia, she gracefully answered: The exhibition will be held till the 3rd of December In the name of their Camper Together model, the shoe brand collaborates with leading international designers from the worlds of art, fashion and architecture.

Now, Camper partners up with fashion label Eckhaus Latta for a third collaboration. Eckhaus Latta designed their own version of the Thelma model, which is a vintage-inspired heeled shoe, playing with flared volumes and refined heights.

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While the deconstructed design features uppers that combine rich leather with inverted jacquard fabric, the outside is inspired by the cloth upholstery typical of public transportation. All these attributes give the shoe an edgy tongue-in-cheek, anti-fashion vibe. The new Thelma will be available as both a slip-on moccasin and a zip ankle boot from the 31st October at CamperLab stores in New York, London and Paris, selected Camper stores and online.

The Italian artist Francesco Vezzoli is internationally well-known for mirroring the glamour of Hollywood in his unsaleable paintings. The reason for this unique project was the celebration of the 40th anniversary of the museum for arts and culture in the heart of Paris. Each artist was wearing a costume made by Prada which references to the art work and brings it to life. In this totally emotional reinterpretation of the modern and contemporary collections of Centre Pompidou, the visitor finds himself in a new immersive experience. Tops and outwear were worn on the bust line with the sleeves tied as to create a seamless corset with a floating volume, held together by big sporty straps.

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Deconstructed skirts in denim or cotton lace patchwork-frayed paired with knits delivered a youthful look that felt confident and effortless. It is the intricate match of textiles and codes: The colour palette was vivid: But this season felt extremely genuine and intuitive. One part of the program was the presentation of the limited BOSS accessories collection, which was especially created for the exhibition project. The event took place at the historic pump station of the art collector Christian Boros at Hallesches Ufer.

What is more French than the Tour Eiffel? The Monsieur Saint Laurent who managed to move — sometimes with unfavourable opinions - entire fashion crowds in the late 70s, in the 80s, and who was not afraid of fashion critique and consequently pushed boundaries. As we were welcomed at the impressive location at the Fontaine de Trocadero, facing the Eiffel tower, the atmosphere culminated into an epic moment when the light spectacle of the tower served as backdrop halfway through the show.

She is a dark angel with a sensual allure and drapes herself in black-sequined dresses, shining like the asphalt after the rain". A series of final sculptural dresses, with a scarlet red declination worn by the muse and face of the house Anja Rubik, left the audience speechless. The Dutch fashion brand journeyed by air, rail and sea to get to an Amsterdam untouched by Google Street View, the one in the Arctic, that is.

With frozen fjords and monochrome peaks as its backdrop, the explorer-themed short film and its enchanting voiceover speaks to the mind and soul of Amsterdammers the world over. Crowds lined up around the corner on 34th street hoping for a spot to witness the VMAs-worthy spectacle. The tone of the show was Alice in Wonderland goes BDSM goes streetwear - coincidentally, a mix of most of the trends we've seen in recent years.

The over-sexualized collection, complete with leather garters, dark lipstick, whip-like hair, and forgotten pants, caters perfectly to millennial listeners of Fifth Harmony and present-day MTV: Despite lacking in the subtlety department, the show didn't disappoint on an entertainment level. Most likely costing in the seven figures, Philipp Plein brought dazzling star power: Nicki Minaj sat front row, Future provided the raw soundtrack, Teyana Taylor's swagger lit up the runway Anywhere else, this would have felt dramatically out of place.

But in New York, where one can see a Yeezy show before rushing off to Carolina Herrera, perhaps anything goes. In the campaign video, the young year-old basketball prodigy, who was named to the NBA All-Rookie First Team, challenges his skills by shooting hoops at the top of the Palazzo Della Civilta? Show them who you are, before you get in the arena and express yourself. The campaign was created and curated by Leonetta Luciano Fendi, the daughter of Silvia Venturini Fendi and the fourth generation of the famous fashion family, poised to take over the helm and bring the brand deep into the new millennium.

Together with Ciristiana Monfardini, Leonetta Fendi is shaping fresh content which celebrates young talent, creativity, optimism and fearless confidence: Jeremy Scott has made a name for himself thanks to his fun-filled approach to fashion, which shuns minimalism and opts instead for boisterous, eye-catching and attention-grabbing designs.

You may love them or you may hate them but one thing is for sure: If the first looks presented sleek tailoring, leather outwear in black, off-white or crimson red - three colours running throughout is the whole collection — and a spectacular leather perfecto with matching pants adorned by a constellation of zip, buckles and studs, they are the last looks to steal the scene. Loose threads in red and blue wool adorns coats and suits in off-white, black and denim recalling the wishing tree. Maps scribbles and ancient poems are embroidered over the collection throughout. The closing looks, with a tree of life embroidered in crystals on a black suit and coat deliver the final emotional blow to this moving and ethereal collection.

Continuing from last season Juun. Declinations of crisp shirts, white, light blue, or with pin-stripes. Layered and gently floating.

Fendi’s Fall/Winter Collection Captures Classic Italian Style with a Contemporary Twist

J delivered a beautiful collection in an informal setting where the models circled around a standing audience. It's a collection that channels a sophisticated summer look where oversized long shirts are wrapped around the body together with the signature's bomber jackets and hoodies. For her a blue pinstriped over the knee skirt would embrace the body layered over the swiping floor shirts. For him, oversized outwear or deconstructed hoodies would do the game. Sometimes it would be just as beautiful as hard to distinguish the male models amongst the female ones.

White, blue, black, military green interlacing with one beautiful red pleated maxi dress at the end. A series of pin-striped declinations of oversized suits for him an her were certainly the eye-catcher of this season. Long double breasted blazers matched fluid pants, a long split skirt or slim trousers. Sometime emblematic sentences would resurface from shirts or t-shirts. Almost as an ode to the work of all the young designers who have been building painstakingly an identity like this Korean designer over the last 10 years.

A specific red hue named "H", a deep, intense red spacing between burgundy and brick colour. Splashed on Hermes Spring Summer , together with taupe, navy, royal blue. It's a collection full of playful graphics, sporty and smart. Wear a pair of casual trousers, a beautiful fresh pullover, a sporty anorak on top and you are ready to be off duty in a breezy summer night.

And yes, with sneakers. It is the quintessential vision of Hermes, its discreet approach and the meticulous leather work. As the versatile big tote bag and the lambskin bomber jackets with contrasting stitching hint to baseball references it gives a different angle to this historical Maison and its equestrian heritage.

Pierpaolo Piccioli looks at the strength of sportswear language and the fascinating realm of competition, of the authentic research of the self expression. Fresh, modern, looking at the street in a creative exercise to conquer the nowness and youthful audience. Valentino Menswear for Spring Summer is a powerful collection channelling that empowering energy of sport exploring undiscovered territories, far away grounds in search of new moments. Anorak, track jackets, chinos, relaxed shirts, volumes and a wonderful urban appeal.

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This new journey of Pierpaolo Piccioli at the reign of the brand bonds this new fresh appeal to the craftsmanship, to the Atelier, and that Valentino etherealness. A geometric graphical approach and a broad colour palette like khaki, a mint, pink, red, brown, next to black and electric blue. The sporty volumes of jackets and the impressive collection of sneakers— the protagonists of the collection - with the cross stitching, embroideries, beaded details and handwork embellishments recalling a distant tribal folklore bring the Menswear ground of Valentino one step further to a new fresh sophisticated DNA.

The Italian coastlines have provided many a designer with tons of inspiration in the past and continue to do so regularly: While journeying through the picturesque island of Capri the designers were greeted by the incomparable carefree and comfortable way of local life.

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Streetwear is mixed with contemporary detailing and performance styling. Formal suiting is blended with contemporary sports and streetwear codes in a bright and optimistic colour palette dominated by bright reds, yellos, deep green, orange and grounded by the addition of beige and brown.

Floral and aquatic motifs formed the core of the adornments for this season seen embroidered on tuxedo lapels or hand-painted on leather and appliqued onto tote bags. Technical outerwear developed with performance-wear in mind also play host to the marine print bringing modernity and functionality to the fore. Elsewhere a midnight beach scene on landscape jacquard appear on a bomber jacket for men and is reinterpreted in a blazer for women. Patch-worked floral print dresses play with louche summer shirt collar shapes and Japanese carp dive across silk georgette slips.

Patterned lining take on new life on a brushed cotton two-piece suit for women where tropical flowers are revere printed, giving the impression of sun-bleached fabric. This season the vision for Plein Sport was a futuristic gladiatorial combat, in a world where survival of the fittest becomes a way of life. Both literally and metaphorically. As Plein Sport warriors take to the runway, one thing becomes apparent, functionality is of the utmost importance: Harder, Better, Faster, Stronger… Plein Sport shows no signs of slowing down just like a determined, disciplined athlete hungry for the win.

That Friday feeling… it manifests itself mere moments before you leave the office, ready for the weekend adventures of your choice. Almost tangible, it is infused with an air of optimism, relaxation and regrouping no matter the season. Come the summer months, however, and that fleeting moment of utter freedom is accentuated further by longer, sunnier, brighter days and a generally elevated mood.

This is executive realness on the verge of the weekend. Corporate aplomb walking hand-in-hand with sunny holiday daydreams. Slingback loafers are paired with running socks and neckties complete even the most laid-back looks. This is corporate escapism, the Fendi way! The stores interior goes in line with the brand aesthetic by combining functionality and design, creating a contrast interior of blonde wood against concrete and marble. As the age-old moniker attests, less is usually more.

Adhering to long-standing traditions and stripping down to a the bare essentials may just be the key ingredients for a campaign in which the ideal customer is present at both ends of the process; they are simultaneously an inspiration and the receiver of the end product.

In an age where endless attempts of innovation and out-of-the-box thinking are swarming our daily lives, a back to basics approach comes as a breath of fresh mountain air. Located north of Salt Lake City and nestled in a lush valley between Snowbasin and Powder Mountain, Eden seems to exert an irresistible force that pulls lovers of the great outdoors towards it effortlessly, inviting them to partake in the vast array of activities it offers. The importance of people and space, the balance between work and home life, the melding of style and exploration all became focal points.

Woolrich has been at the forefront of outdoor lifestyle innovation for more than years but its roots can be traced back to tradition and the oldest, continuously operating woollen mill in the US. The Woolrich Mill provided wool blankets to civil war soldiers and continues to produce them to this day. Since then, the brand has been consistent in delivering outdoors-oriented products since the 70s when people began to engage with nature in new and exciting ways.

Men and women took their free time to explore natures splendour in a more recreational setting with backpacking, camping, mountaineering and cycling being just a few of their preferred activities. Completely in-tune with the needs of its customers, the outdoor brand now incorporates technical performance fibres like nylon and polyester in all its garments. The magic sets of Chanel Ready-to-Wear shows are always expected with anticipation and this season Karl Lagerfeld confirmed once again to be a visionary. A giant meters-high rocket ship was waiting for us at the centre of the Grand Palais, envisioning the recent NASA news of potentially earth-size and consequentially habitable-zone planets.

The classic Chanel skirt suits is also reinvented with matching shorts and completed with sequined tights and half gloves. The expectation and the excitement. The collection felt polyhedric and at a closer look it revealed all its beautiful craftsmanship. A beautifully timeless wool long cape in midnight blue lined in a rosy dusty brick tone and paired with a sporty ribbed sweater and tights. A sweeping floor leather coat in pale powder pink. Relaxed turtleneck knits matched with statement patchwork leather outwear with shearling trim.

But also 70s vibes with scarf dresses in mousseline. Vanhee-Cybulski is revising the codes of haute modern dressing for this equestrian-routed French maison. The creative director is transforming the Scandinavian brand known for years as a denim forward label with a minimalist approach. Acne Fall Winter is a spontaneous and playful collection with a strong sense of individuality and easiness.

Long coats, in beautiful classic textiles, pin striped or checked, evolving into tunic-like dresses turned back-to front. Johansson plays with the notion of tailoring almost as an ironic gesture, to vouch for the idea of an uncomplicated way of living, a different way of feeling the notion of femininity itself. The asymmetric shades matching the floral deconstructed dresses and creating a further contrast to the soft organic feel of the whole collection gave the perfect youthful accent.

We see a confident woman, she is intuitive and optimistic. We have come to a point in fashion when history has been elevated without precedent. For Saint Laurent Fall Winter there is again a respectful reference to the history but also a lot of the Vaccarello DNA that we have seen in his eponymous label for many years.

That sexiness, that daring and fierce attitude the Italo-Belgian designer infused in his own shows season after season before becoming the new creative director of the historical Maison. And then there is the show vibe. The rain pouring down, the scaffolding as backdrop, the loud pulsing music as in any squat party, was the perfect set as to declare a new beginning, the shaping of the new identity of Saint Laurent in fieri. Thigh-high boots in patent leather and rhinestones with ruches - sure to become the obsession of next season.

Pintur argued it had no place in the major supermarkets due to its content that objectified women and promoted a "rape culture. During the last three months, the campaign has garnered more than 38, signatures on Change. Shannen, who does not provide her surname, said the sale of Zoo Weekly created "a hostile working environment because it condones the purchase of a magazine that eroticises female subjugation and vulnerability.

The petition continues to call for Woolworths to take the same approach and drop the magazine. In a statement emailed to Mashable Australia the company said it had put measurements in place to reduce exposure to minors. To reduce the exposure to these magazines in our store, we have it positioned in the magazine reading centre in the aisle in the top right corner.

It's safe to say these Tweeters were not paying subscribers. You know what, at least zooweekly held true to its business model, until that model failed Not surprised Zoo Weekly has bit the dust. Remember writing this for the Fin Rev in We're using cookies to improve your experience. Click Here to find out more. World Like Follow Follow.